As we make out the words, mirrors placed every couple of feet apart reflect our bodies as we look, but also the street and green mountains surrounding the museum. Jones is back in March for a mega-residency. This season is brimming with new art: Kissing Through a Curtain Bill T. It’s a work that invites viewers to take their time, but not in an overly demanding way. to make MASS MoCA and surrounding neighborhoods evermore connected. It might be what one of William Burroughs’s cut-up poems looked like in his mind. At Massachusetts Museum of Contemporary Art, 1040 Mass MoCA Way, North Adams. ![]() Inspired by the filler text used in publication design, “Assembly” presents words and letters chopped up, shifted a few inches and jumbled. Mary Lum’s painted wall installation “Assembly (Lorem Ipsum)” does this subtly, and to great effect. The art in Building 6 seems to collect around a theme of not seeing details immediately, and having them materialize with an epiphany. As your eyes adjust, space collapses, and the pink mist is right in front of you. The rectangle of light appears to float some 30 feet away, as static scurries through it. Turrell’s “Pink Mist” disorients by leading viewers through a pitch-black corridor, before they meet a sheet of pink light that appears fuzzy and out of focus. Robert Rauschenberg, “A Quake in Paradise (Labyrinth)” (1994)Īt MASS MoCA there are also moments to slow down, engage with the sublime, so to speak. Since it opened in 1999, MASS MoCA has focused on putting the work of well-known and emerging international artists from different disciplines in conversation, and Building 6 continues this trend. With the new building come long-term installations and collaborations with Laurie Anderson, Louise Bourgeois, Jenny Holzer, Mary Lum, Gunnar Schonbeck, James Turrell, and more, as well as rotating exhibitions with the Robert Rauschenberg Foundation collection and Artist-in-Residence program. ![]() On May 28, Building 6, a three-story, claw-shaped structure that was renovated and designed by American architecture firm Bruner/Cott, opened on its industrial campus and doubled the museum’s gallery footprint - rounding out at 250,000 square feet - and adding a significant chunk for outdoor installation. During the summer, there will be a full load in/out of The National, and 3 week residency with Bang on a Can Summer Music Institute, and 2 week long residency with Room Full of Teeth. ![]() Jennifer Huberdeau can be reached at or 41. And they also have the ideal space in the Hunter Center a massive black box theater with 30-foot-high ceilings. If you’ve been meaning to take a trip to the Massachusetts Museum of Contemporary Art (MASS MoCA), now’s a better time than ever. Roomful of Teeth returns home to MASS MoCA for a two-week residency, including a pop-up performance of Ted Hearne’s Coloring Book in Nick Cave’s expansive installation Until on August 23 at 4:30pm, and a knock-out finale performance in the Hunter Center on Saturday, August 26, at 8pm. This includes hands-on in all of the following areas carpentry, lighting, sound, audio/visual, and running crew. If I’m talking about the healing properties of nature and music and community, then Mass MoCA has the ideal space. Aerial view of Building 6 at the Massachusetts Museum of Contemporary Art (MASS MoCA) (image courtesy MASS MoCA)
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